![]() ![]() And the fact that she seems to repeat certain phrases cement in the idea that the album is a solid body of work rather than just a collection of good tracks. ![]() Going by translations on a Google doc I found on Reddit (I couldn’t find any other reliable sources), the lyrics resemble abstract poetry – which explains why Haru’s vocal delivery often feels like spoken word. The album feels like a real body of work with interconnected samples and the noisy, bleeding guitars and synths, repeating phrases – it’s meandering, incorporating change-ups, but no track feels disconnected from the album until we get into the remix section.īefore I go and fawn over the sonic aspects of the album, I will touch on a bit on her lyrics. But on this album, she takes bits and pieces from her previous EP and builds her sound from scratch – she blends up a wider range of genres and makes her own cocktail of electronic Jpop, noise pop, shoegaze, post-rock, and hip-hop. Haru to Shura is Haru Nemuri’s first studio album, following up from Atom Heart Mother – which is a great EP where she seemed to be experimenting with different sub-genres of electronic pop. There are albums, where they just click with you, where it couldn’t be more noticeable that there’s a burning ambition and a compelling personality behind it within the first couple of listens – Haru Nemuri’s Haru to Shura is one of them for me. ![]()
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